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Hamburg was her last resident engagement, the following years as a “free-engaged” singer. If one looks at her repertoire and roles that she sang 50 to 70 times, she definitely has proved her critics wrong who were of the opinion that she might be unsuitable for the high dramatic repertoire. The impression that she was more than suitable was solidified when one views the fact that she hardly ever canceled a performance and also that she spectacularly, often at short notice in the last minute, performances substituted for sick singers. Legendary is her Oldenburg Kundry debut that she not only at short notice but also without an orchestral rehearsal sang. In Hamburg she substituted as Faerberin and “rescued” a performance with the top-class cast of “Frau ohne Schatten” (with Rysanek, King, .)
Her world career led Brenda Roberts to the New York Metropolitan Opera as Faerberin, to the Chicago Lyric as Elektra, the San Francisco Opera as Giorgetta in Puccinis’ “Il Tabarro”, to the Paris Opera as Ortrud, to the Maggio Musicale Fioentino as Venus, as Salome in the Vienna State Opera, to Santiago, Chile as Salome, Warsaw as Turandot, to the Munich State Opera as Elektra, the Berlin State Opera as Tosca and Turandot, to the Kungliga Operan Stockholm as Faerberin and Salome (also Elektra, Bruennhilde in a new production of “Walkuere”) and to Palermo, Sicily in Schoenbergs’ “Erwartung”.

Trainee nurses attend a training session in the maternity of Dixcove Hospital, Dixcove, Takradi, Ghana. Photo by Kate Holt.

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Sie sucht ihn bad hersfeld

Sie sucht ihn bad hersfeld